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Trooping the Colors at Brown University
by
John Horvat II
There is something about toy soldiers that
brings out the boy in every man.
Before toys became genderless and pacifistic,
the toy soldier was the mainstay of countless boyhood games. How
many boys marched their soldiers into battle, staged mock wars,
and dreamed of military glory! Indeed, how many military careers
were born on the humble battlegrounds of living room floors.
My thoughts were far from such childhood
musings when I approached Brown Universitys library in Providence,
Rhode Island. At the entrance, I chanced to see a sign mentioning
the Anne S. K. Brown Military Collection on the eighth floor.
Intrigued, I walked up the flights of stairs
and down the hallway. Upon reaching the door, I rang the bell. The
librarian, a military researcher, craned his neck out, asked what
I wanted, and then let me in.
Never in my wildest dreams did I imagine
what I would find. I had stumbled upon Americas foremost documentary
resource of soldiers and soldiering, one of the worlds largest
collections devoted to the study of military uniforms and
a wonderland of toy soldiers.
How did such a military collection end up
on a liberal American campus? Only in America can you find such
a paradox.
A wonderland of soldiers
There they were: toy soldiers, thousands
of them, all in brilliant, colorful uniforms. In lighted vitrines,
display after display of military toy soldiers in battle array represented
fighting men and their units from the days of ancient Egypt to the
twentieth century.
There were Egyptian chariots, Roman legions,
and Persian armies. There were exquisitely detailed medieval knights
on horseback and displays of Renaissance armor. There were Gordon
Highlanders, Irish Guards, the Black Watch, and the most celebrated
regiments of Britain and France. I marveled at glamorous nineteenth-century
uniforms of every nationality with all their splendor and display.
I also found familiar historic figures. There
were Charlemagne, Saint Joan of Arc, and famous crusaders. I saw
others ranging from Louis XIV to Robert E. Lee to Churchill. It
was a veritable procession of history.
It did not stop there. Amid the 288 feet
of displayed soldiers, I found turbaned Indian troops on elephants,
robed Bedouins on camels, bandoliered Boers, and rampaging Zulus.
Finally, there was a host of displays of
military and royal pomp and circumstance. Not least among these
was a spectacular English coronation with all its splendor. But
above all, I could not contain my enthusiasm for the scene of a
papal parade, featuring the Vicar of Christ in a gilded carriage
surrounded by Swiss and Noble Guards.
I was spellbound. Like a young boy reliving
battles past, I spent the next two hours in awed wonder.
A vast collection
The next day I returned to find out more
about this extraordinary collection. Library curator Peter Harrington
was only too happy to answer my questions.
I learned that the collection contains more
than just toy soldiers. Presently, there are over 12,000 printed
books, 18,000 albums, sketchbooks, scrapbooks, and portfolios, and
over 13,000 individual works of art dedicated to military themes.
To my surprise, I also learned that the library
was the life-work of one person. And that person was an extraordinary
lady.
The extraordinary Mrs. Brown
Anne Seddon Kinsolving was born on March
25, 1906, in Brooklyn, New York. Her parents were both members of
the Virginia aristocracy with impressive lineages. Her father eventually
became rector of Old St. Paul’s Episcopal Church in downtown Baltimore
where she spent her childhood.
From her earliest days, Anne developed a
penchant for all things military. She traced this love to a treasured
copy of The Wonder Book of Soldiers for Boys and Girls given
to her on her ninth birthday. She was also impressed by the parades
and uniforms she saw in Baltimore during World War I.
In 1930, she married John Nicholas Brown,
heir to one of the oldest fortunes in America. During their honeymoon
in Europe, the new bride decided to buy a “few” toy soldiers to
decorate a room in their home in Providence. Those few soldiers
became a veritable army.
Beginning of a collection
Mrs. Brown was not the type of person who was content
to own these soldiers; she wanted to identify and know them. She
embarked on a quest to catalogue her troops, concentrating on those
from the seventeenth century onward. With great energy, she contacted
booksellers on military costumes in Boston, New York, Philadelphia,
and other major cities, and she herself made numerous sorties into
the backrooms of those shops in search of prints, drawings, and
illustrated books. She also wrote books on military subjects and
beca a leading authority on military collections and uniforms.
Not
satisfied with the domestic market, Mrs. Brown made forays overseas
and soon began acquiring books and prints from all over Europe.
When World War II broke out, a bomb fell on Ackermann’s, a major
military publisher in London. That incident spurred her into launching
an extensive importing operation, giving her agents carte blanche
to buy any military art to save it from the ravages of war.
The postwar years saw her broadening her
collection with further acquisitions. According to Mr. Harrington,
however, she made little effort to collect modern khaki uniforms
because their egalitarian design was drab and “there was little
difference between the soldier’s and officer’s uniforms.”
Wanting to organize her collection better,
she eventually hired a full-time librarian, who arranged it in its
present form. The collection outgrew the Brown’s home and by the
time of her death in 1985 the whole collection had been gradually
transferred to Brown University library, where it remains as a legacy
to her passion.
An attraction to heroism
The fascinating story of Mrs. Brown is but
part of the story of her toy soldiers. I asked Mr. Harrington what
had attracted her to them, and he responded that it was something
more than just an eccentric fancy.
Mrs. Brown had noted that the picturesque
beauty of the uniforms themselves is not what leads men to honor
the soldier. Actors and acrobats, she observed, can be equally picturesque.
No, what attracts us is a higher ideal symbolized
in these men in uniform. There one sees expressed the moral beauty
inherent in military life: the elevation of sentiments, and the
willingness to shed one’s blood for a higher cause. One sees the
strength for undertaking, for suffering, risking, and winning.
The
beauty of the military uniform speaks of the moral nobility of a
fight that is entirely based upon ideas of honor, and of force placed
at the service of good and turned against evil. It is the joy of
serving with courage, strength, discipline, and heroism that allows
the soldier to live in an atmosphere of legend and glory. It is
only right that the uniform express these values with color, pomp,
and ceremony that attract the multitudes.
Alas, such sentiments find little sympathy
in the postmodern man who puts no ideal above self. Today’s pacifists
hold an erroneous idea of peace whereby conflict must be avoided
at all cost, even at the sacrifice of principles. This is not true
peace, but the stagnant “peace” of moral decay.
True peace, as Saint Augustine teaches, is
the tranquility of order, above all Christian order. In this, peace
is a fruit of an order that must sometimes be defended. And soldiers
have sacrificed themselves from time immemorial so that people can
have this true peace.
That
is why their legends live on — even in the toy soldiers who depict
their deeds.
When asked during a speech she gave in 1961
why so many people have portrayed the soldier, Mrs. Brown quite
aptly replied: “I prefer to believe it was because, as men, they
were admired and respected, even when they were feared, and that
over the years the men who themselves had no urge to pioneer and
endure the heat of battle, the artists and poets and composers,
felt in their hearts a debt of gratitude to the military men who
have earned them the privilege of living in peace. So they made
these men immortal.
You can visit the Military Collection at
Brown University.
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