|

The Problem
of Old Age: Is it Maturity or Decadence?
By Plinio Corrêa de Oliveira
People nowadays are ashamed of old age. This sentiment is
so deeply rooted that anything even remotely associated with
it is disliked.
To the degree they can, people go
so far as to avoid appearing mature. Everyone wants to look
young. Quite a few try to look like teenagers.
There is nothing exaggerated about
these affirmations. All one has to do is look around or even
at oneself.
For example, women’s makeup
often represents an effort not only to reduce their age, but
to imitate -- to the degree the implacable rigor of nature
permits -- a youthful, almost adolescent appearance. This
is further accentuated by colors, types of clothing, attitudes,
gestures, language, topics of conversation, laughter, and
so many other things that further such youthful impressions.
While men did not use makeup in times
past (save on their mustaches and foreheads), they are increasingly
abandoning the clothing typical of maturity: the well-cut
lines, discreet colors and sober appearance. These give way
to the sporty look with its bright colors, and informal lines.
This can especially be seen at the
beaches, where it is not unusual to see grave professors,
renowned politicians and serious bankers dressed just like
their grandchildren. They will be half-barefoot with wind-blown
hair. They will be wearing canary yellow T-shirts and skimpy
sky blue shorts putting on display hairy torsos, arms and
legs. They will have a roguish smile on their old lips and
maintain with great effort a false brightness in their tired
eyes. There is an incredible overall effort to hide an age
that pertinaciously shows, affirms and proclaims itself through
all the pores in their bodies.
* * *
Why all this effort to hide age? It
is because the pagan man of our days lives for pleasure and
the age par excellence for pleasure is youth. They do not
understand that youth, as a certain author wrote, was not
made for pleasure but for heroism.
There is another reason. While old
age can represent a plenitude of the soul, it undeniably represents
a decadence of the body. Since contemporary man is materialistic,
he closes his eyes to everything spiritual. Thus, old age
clearly has to horrify him.
However, this need not be the case.
If a man throughout his life knows how to grow not only in
experience, but in penetration of spirit, good sense, spiritual
strength, or wisdom, his soul will acquire in old age a splendor
and nobility that will shine through his face and be the true
beauty of his lost years. His physique may bring to mind approaching
death but in compensation his soul will have flashes of immortality.
A memorable example of this is Winston
Churchill to whose intelligence, sparkling with lucidity,
and to whose iron will, a great nation confided the most difficult
of tasks, which is to resurrect a decadent empire.
In our first picture, he is thirty-four.
He is unquestionably a striking, intelligent young man with
a future. However, his gaze does not have the depth; his bearing
does not have the certainty; and his countenance does not
have the Herculean force that can be seen in our second photograph
of Churchill.
His youth with all its freshness has
certainly gone. However, the soul grew while age implacably
marked the body. And that soul all by itself served as the
column on which a whole empire rested.
This example represents -- even if
only in the mere natural order -- the glory and beauty of
growing old. How much more decisive these commentaries would
be if we should wish to consider the supernatural side of
this matter!
|