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Plinio Corrêa de Oliveira

Equality at the Starting Point - What an Injustice

Doctrine and Art: A Connetion that the Communists Understand


Spiritual Decoration vs. Materialist Decoration

The Problem of Old Age: Is it Maturity or Decadence

Two Styles Two Ways of Being

The Machine, Crude and Deformed Idol of a Materialistic World

Spiritual Richness in the Common Life of the People

Catholic Universality and Pagan Internationalism

Equalizing Everything: A Mania, Not a Necessity

Can Only Sacred Art Be Christian?

Symptoms of a Great Transformation

Clothing, Mirror of an Epoch

Barbarians, Pagans Neo-Barbarians, Neo-Pagans

Refinement without Weakness, Strength without Brutality

The Three Falls of Our Lord and the Three Degrees of Tiredness

Two Feminine Ideals

Painting the Human Soul

Medieval Paternalism and Progressivist Neo-Slavery

When Society is Corrupt: Is There a Solution?

Plinio Corrêa de Oliveira: His Early Years

Dignified Pride is the Harmonious Complement of Humility

Being Modern: Apostasy or Sacred Obligation

Sacred Art and Naturalism

Two Ways of Looking at Country Life

A Monument Raised from a Ruin, an Institution from a Custom

Two Paintings, Two Mentalities, Two Doctrines

Love and Fear in Christian Piety

Regionalism, Tradition and Good Taste

St. Joseph: Martyr of Grandeur

Pagan Manliness and False Christian Patience

Defying the Law of Gravity

A Precarious State That Always Ends Badly

The Termite Man

Reflections on a Café

Homosexuality is the Opposite of the Family

The Social Function, the Club, and the Knife

The Insidious Question

Tradition Family and Property

Embracing Christ and the Cross

The Return Flight with Gogo

On the Airplane with Gogo

An Oasis in the Sahara

At the Pizzeria with the Moderates

Right? or Left?

Who is the Madman?

The Importance of Tradition Today

The Cubbyhole

TFP: Tradition

The Rabbit

Mediocrologists

Private Property

 

Equalizing Everything: A Mania, Not a Necessity

by Plinio Corrêa de Oliveira

While the horse is increasingly abandoned as a means of transportation, it continues to be in vogue in sport. Everywhere, horsemanship continues to be an object of lively interest. Football and boxing champions have not destroyed the popularity of the jockey. Indeed, the qualities that an authentic horseman should embody – daring and prudence, acute perception, presence of mind, agility, knowledge and perfect control in the saddle – merit public acclaim.

These pictures show three horsemen jumping difficult obstacles. They are typical of photographs found in equestrian clubs throughout the world. It is delightful to contemplate the dexterity, strength and elegance of these three horsemen.

However they are not horsemen, but horsewomen. The elements of distinction in French horsemanship, the way of riding, the attire, in short everything taken together gives them a markedly masculine appearance.

Without going into details it is good to note how anti-natural and abnormal it is for a woman to look like a man in any circumstance. It is just as anti-natural and abnormal for a man to look like a woman. This strange mania for masculinizing women (not to mention the feminization of men!) also infiltrates horsemanship, as is shown in the pictures above.

Where does this tendency come from? In each case, it is covertly introduced under a different pretext: convenience, simplicity or economy. In the case of horsemanship, freedom of movement and safety were perhaps the excuses used. However these are mere deceptions…

German horsewomen in an aristocratic park

Here we have a charming group of German horsewomen, who gallop swiftly in an aristocratic park. Using sidesaddles, they ride with the distinction of true ladies, which does not impede their gallop from having the speed, unrestraint, and lightness of the “Ride of the Valkyries.” Their whole costume displays all the grace and delicacy of dignified ladies in a highly civilized nation. Yet the sportive note, inseparable from horsemanship, is not damaged in the least. (The word sportive here is in its good sense, although discussion of its multiple and dubious applications would demand a whole article.)

Practical reasons, then, are not what impose the masculinization of women in horsmanship. Rather, it is a manifestation of the tendency, more apparent today than ever, to level, equalize, homogenize and confound everything.




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